The discussion surrounding turn-based games within the role-playing genre has been reignited with the release of Clair Obscur: Expedition 33. Launched just last week, this RPG has garnered widespread acclaim from IGN and other critics, proudly embracing its inspirations from classics like Final Fantasy VIII, IX, and X. Clair Obscur: Expedition 33 features a turn-based system, Pictos to equip and master, zoned-out "dungeons" to explore, and an overworld map, all hallmarks of traditional RPGs.

In an interview with RPGsite, producer Francois Meurisse emphasized that Clair Obscur was designed as a turn-based game from the outset. The game uniquely blends elements of FromSoftware's Sekiro: Shadows Die Twice and Mario & Luigi, incorporating quick-time events for attacks and parrying/dodging for defense. This innovative approach creates a hybrid experience that retains the strategic depth of turn-based gameplay while introducing dynamic action elements, sparking considerable conversation within gaming communities.

The success of Clair Obscur: Expedition 33 has fueled debates, particularly among fans of the Final Fantasy series. Naoki Yoshida, while promoting Final Fantasy XVI, discussed the shift towards more action-oriented mechanics in RPGs. He noted a growing sentiment, especially among younger audiences, that selecting commands in video games lacks appeal. This perspective has influenced recent Final Fantasy titles, including XV, XVI, and the VII remake series, which have adopted more action-driven systems.

However, Clair Obscur's triumph has led some to argue against this trend, seeing it as a validation of turn-based RPGs. Yet, the situation is more nuanced. Square Enix, while moving Final Fantasy towards action-based gameplay, has not abandoned turn-based games entirely. Titles like Octopath Traveler 2 and upcoming releases such as SaGa Emerald Beyond and the Bravely Default remaster for Switch 2 continue to showcase the publisher's commitment to the genre.

It's important to recognize that suggesting Final Fantasy should mimic Clair Obscur oversimplifies the unique aesthetic and iconographic elements that define the series. While comparisons are inevitable, reducing Clair Obscur to a mere imitation of Final Fantasy overlooks its distinct contributions, such as its innovative combat systems, compelling soundtrack, and rich world-building.

Historically, debates about the direction of RPGs, including those comparing games like Lost Odyssey to Final Fantasy XIII or Final Fantasy VII to VI, have been a constant in gaming discourse. These discussions often reflect deeper considerations about game design and player preferences rather than simple rivalry.

Sales expectations also play a crucial role, as Yoshida mentioned when discussing Final Fantasy XVI. Despite his appreciation for command system RPGs, the anticipated sales and impact of Final Fantasy XVI led to its current form. Meanwhile, Clair Obscur: Expedition 33 has achieved impressive sales, reaching 1 million units sold in just three days, a promising start for Sandfall Interactive and Kepler.

The success of turn-based RPGs like Baldur's Gate 3 and Metaphor: ReFantazio further challenges the notion that these games struggle to find an audience. Clair Obscur's achievements highlight the potential for mid-budget RPGs to thrive, suggesting a possible resurgence of the genre alongside titles like Visions of Mana and Ruined King.

Whether Clair Obscur's success will prompt a shift in the direction of major franchises like Final Fantasy remains uncertain. Recent entries like Final Fantasy XVI and FF7 Rebirth have faced challenges meeting profit expectations, influenced by broader shifts in the gaming industry and the high costs of production. The key takeaway from Clair Obscur's success is the importance of authenticity and creativity. As Larian CEO Swen Vincke noted regarding Baldur's Gate 3, success comes from crafting a game that the development team is passionate about, rather than simply following trends or rehashing old debates.